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The Cards, Coins And Glass
After a tumbler and a pack of cards have been subjected to close
examination, the glass is placed on the table. The pack of cards is
then laid over the top of it, thus shutting out all access to the
interior of the glass. The conjurer borrows a few coins, usually half
dollars, and proceeds to pass them through the cards into the glass,
into which the coins are seen and heard to drop.
Several years ago, the effect was accomplished by the use of
mechanical packs. Lately these have gone out of fashion, owing to the
greatly simplified methods of performing the trick that have been
invented since then.
First Method

Fig 42
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This form of the trick is the simplest imaginable, a description of
it being given here for the sake of completeness only. After having
placed the glass on the table, the conjurer obtains from the Servante
or Pochette a half dollar, which is then secretly placed on the
bottom of the pack. Holding the pack by one of its ends with the top
card turned towards the company, the coin is held on the rear side of
the pack by the thumb. The fingers rest on the other side of the
pack, which the performer now places on the glass (Fig. 42) slipping
the coin between the edge of the glass and the cards.
The glass and cards are next covered by a handkerchief &endash;
apparently to make the trick the more difficult, but in reality to
prevent the spectator from seeing where the coin comes from when it
falls into the glass. The conjurer then borrows a half dollar and
pretends to transfer it from the right hand into the left, really
retaining it in the right with which is then used to pick up the
wand. The conjurer then places the wand on the end of the pack
opposite to the one under which the coin is concealed.
Holding the closed left hand above the pack, the conjurer suddenly
opens it and hits the upper end of the wand a gentle tap whereby the
end of the pack holding the coin against the glass tilts up and
releases the coin, which drops into the glass. The performer removes
coin and, after substituting for it the coin that was earlier palmed,
returns it to its owner.
Second Method

Fig 43
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The plan employed in this version of the trick is a very ingenious
one indeed.
In one of the cards of the pack, previous to the performance, four
slits, A B and C D, are cut with a sharp penknife. The distance
between B and C must be adapted to admit of a half dollar being
placed into the slits, as shown in Fig. 43, being held neither too
loosely or too firmly. The card and coin thus prepared is placed in
the second one from the bottom of the pack, which may now be freely
spread out, fan like, and shown from both sides (the performer
exercising a little care not to expose the prepared card).

Fig 44
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Just before placing the pack on the tumbler, the performer removes
the bottom card and places it on the top of the pack. Taking the
borrowed coin and pretending to place it in the left hand (in reality
keeping it palmed in the right, which is then used to pick up the
wand), the performer holds the wand in a vertical position with its
lower end resting on the pack. The closed left hand then strikes the
upper end of the wand a quick blow, causing the pack to bend inward a
trifle. This forces the concealed coin out of the slits and to drop
visibly and audibly into the tumbler with very pretty effect. The
left hand as it strikes the wand is opened and shown to be empty.
Our second diagram, Fig. 44, shows a plan by which two coins are
held by the slits A B, C D, E F, G H, made in the bottom card. By
this method one coin at a time is made to apparently drop through the
pack into the tumbler underneath; the performer for this purpose
applying the lower end of the wand to one end of the pack and
dislodging the coin held there, afterwards moving the wand to the
other end and releasing the second and last coin in a similar
manner.
Third Method

Fig 45
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This version of the trick differs materially from the methods just
described, as during the course of the trick the magician stands at
some distance from the glass. In addition, while in this position the
conjurer invites a spectator to come forward and examine cards, glass
and coins, proving the absence of preparation.
The table on which the tumbler is placed must be either a regular
conjuring table with a bellows or box top. If a conjuring table is
not available, a parlor table with a partly open drawer may be used.
Face downwards on the table is placed a card, the back of which is
painted the same color as the tabletop. To the edge of this card is
attached a black silk thread A, Fig. 45, about fourteen inches in
length. This thread is firmly tied to a small ring C, to which also
is secured a black, elastic cord B. The end of the elastic cord is
fastened to the inside of the table or table drawer.
To set this combination of thread, ring and elastic, the elastic
is drawn out to its full tension, and prevented from flying back by
the needle C, which is driven partly into the top of the table. To
the eye of this needle is fastened another thread D, which is either
passed behind the scenes to an assistant, or may be secured to the
performer's wand that is lying on the table.
After borrowing two half dollars, which for the sake of better
effect the performer causes to be marked by the owners, the performer
apparently places them in some conspicuous place where they may be
seen until the moment they are required. What the performer really
does, however, is substitutes two prepared coins for the borrowed
ones, keeping the originals concealed in the hand.
Having shown the glass and cards, the performer places the pack in
front of the prepared card on the table. Holding the pack in such a
way that the spectators cannot see behind it, the performer secretly
places the palmed coins beside each other on the prepared card, and
then places the pack on it. The performer now picks up the pack and
prepared card and with the coins, placing them evenly on the
glass.
Taking the other two coins, which the spectators believe to be the
borrowed ones, the performer makes the pass with them and pretends to
throw them into the glass. At this moment, the thread D must be
pulled, either by the assistant or by the performer with the attached
wand, thereby pulling the needle out of the tabletop. This releases
the ring E and the elastic, with great rapidity, recedes within the
table. With the elastic is carried the ring, thread, and card F. The
card is so quickly jerked from below the pack that the coins
underneath, on account of their inertia, do not accompany the card
but fall directly into the glass. As all preparation has vanished
into the interior of the table with the elastic, the performer
generally requests some spectator to come up and inspect cards, glass
and coins &endash; the marks on the coins identifying them as the
borrowed ones.
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